Enter your email address to follow this blog and receive notifications of new posts by email. One of the cultural vehicle through which the younger generation could continue to experience the tangible aspect of Yoruba clothing tradition. Similarly, What women make of aso oke  is largely determined by individual taste. Although, years ago, it used to be made by hand by local craftsmen, today, technology has made it possible to make the clothing with machines. Royale Aso Oke is an Aso oke vendor dedicated to meeting all aso oke needs. viii. Ojo (1966:87) inform that weaving as a domestics industry flourished throughout Yorubaland. It is usually worn by females with a traditional attire, for specail occasions like weddings, naming ceremonies, burials, church services, … Renne (1995) has documented some excellent examples of these and other Bunu Yoruba cloths. The Olowo wears it during important functions. The women make iro (wrap-around skirts) and buba20 and gele (head-scarves), as well as ipele. Invert a cake pan the size of the top tier and fold the fabric on it using tools to make folds, curves, bends, loops and other intricate designs. It is also aimed at showcasing a significant aspect of Nigeria’s cultural heritage. Notify me of follow-up comments by email. It is believed that old etu cloths are not like the new ones, which are usually of inferior quality. Apena Fagbemijo Amosun Fakayode It is said that the Ondo will never think of commissioning to admitting their lack old cloths. It epitomizes their pomp and pageantry in dress and serves as an identity marker. The 1950s collection comprises plain and patterned weaves of alaari, etu and sanyan but these examples are different from the classic Yoruba aso-oke that we discussed in the introduction. No other person could wear it. The issue of gender is not limited to woven cloth production; it is also expressed in the types produced. 13 hours ago. God bless you, Lovely, so educational, so happy to to have people like yuo around us. The transformations in the industry and the popularity of narrow loom woven cloth have attracted more loom women to use the horizontal loom. Roll out a long piece of moss green fondant about 6 inches in diameter. This practice has since stopped. Create a free website or blog at WordPress.com. The gene of woven cloth produced on these looms and peculiar to the Yoruba is called aso-oke (meaning cloth from the hinterland) or aso-ofi, a name borrowed from ofi, the loom on which the cloth is produced. Welcome to Royale Aso Oke official website. I didn’t have the tool and thus did it the old fashion way. Aso Oke is a beautiful attire which fondly adores and adorns the wearer. Talk about Aso Oke, talk about Aso Ebi. I made this a week in advance of the actual cake. (3) This step is optional at this point in time. Such a transformation, as earlier pointed out, is largely informed by cross-cultural, as well as intra-cultural influences on Yoruba textile culture. THANKS SO MUCH ITS ALWAYS NICE OPENING UR PAGE. Despite the emergence of the dazzling rhinestones trend, the embellished aso oke … It is often fashionable in modern times to use a combination of iro (wrap-around skirt) and gele (headgear) made of  aso oke and a buba  made of lace or other material in one single outfit. The first is a fondant stiletto shoe and purse. Hunters’ garments (imopa ode), farmers’ wear and even school uniforms21 were also made from aso-oke. It is the speciality of the Opomulero lineage in particular whose panegyric poem shows their significance to the indigenous Yoruba weaving industry, and indeed the dress culture of the Yoruba. Not even the men are exempted from this lovely fabric. A tutorial on how to achieve this look can be found here. Aso-Oke (pronounced ah-SHOW-kay) is short for Aso Ilu Oke which means clothes from the up-country. It is extremely versatile and apart from Aso ebi for weddings, birthdays and the like, it would also make a great material for upholstery, soft furnishings as well as modern clothing like skirts, jackets and coats. We have over 100 carefully selected Aso Oke ideas to make that occasion your best ever. "Aso Oke is not an everyday wear," said Saliu. In fact the Owo are      noted for the production of woven cloth of blue hues, a tradition which remains to date. Vertical loom weaving is more important than the horizontal (Ojo 1966:88) in Akoko, Owo and Ekiti divisions, whereas horizontal weaving preponderates in Ondo, Osogbo,Ibadan, Oyo and Ilorin divisions, where extensive weaving yards enliven the townscape (ibid). ( Log Out /  These were placed in strategic locations on the top and base of the bottom tier. Wrap both tiers with these fondant. Welcome to Royale Aso Oke official website. (1) First, make the brooches for the cake. Abimbesu, Ale Oyun, m’ara ire ti i lon aso, Baba elomiran i ba bo’ra sile, a jo epo igi, Abimbesu, Ale Oyun who knows a boby that befits cloth. The Yoruba fashion includes most of these traditional varieties of aso-oke, with the exception of the Bunu-Yoruba cloths, which are used in the aforementioned contexts, into “flowing robes like the people of the East” (Ssmuel John 1921:110). We make bespoke embellished Aso oke and beads for couples, couple parents and party rockers. Please email, mail, or call us. A staple at special occasions such as festivals, funerals and weddings, failing to have a garment made from Aso Oke is almost inconceivable. Aso Oke is a traditional Nigerian fabric which is hand woven and used for special occasions. We are an Ifa and Orisha Temple located in Arcata, Humboldt County, California. Nice, this is really wonderful. Using a pizza wheel, cut out fringes on one end of the fondant. The Yoruba appreciate industry and abhor laziness, and aso-oke provides them the opportunity to express their perception of these values. Both aso-oke and aso-ofi are used interchangeably in this study. The examples, OGF 50.3, a combination of sanyan and alaari; OGF 50.8, magenta (alaari) combined with white and black stripes; and OGF 60.18, a mix of khaki brown (sanyan) and maroon (alaari) strips with black pin stripes and perforated holes in Ogunsheye Collection, are exceptions to the norm. It is this collection under reference, coupled with studies on aso-oke, that inform the current study which, in part, examines the history of Yoruba aso-oke. This development engendered the production of aso oke in an array of colours, a tradition that became pronounced with the introduction of lurex as an alternative to cottons warp in the late 1970s (see OGF 60.1, 2 and 17) . It distinguishes the company of elders. 4. But, the Yoruba have other forms of woven cloth that articulate the notion of prestige too namely, Olodemeta, a taupe coloured woven funeral cloth of the Ondo, which is usually presented to the family of the deceased or bought by the deceased’s eldest son or daughter. (7) If you have made the topper ahead of time, place it on the cake. Click here for instructions on how to enable JavaScript in your browser. Tunde Owolabi is the creative force behind the recently exhibited “Aso Oke – The Woven Beauty,” which was on show at Red Door Gallery in Lagos in November 2014. Thus, the older the better. The width of this cloth is about four six inches and the cloths need to be sewn together to make the required length indigenous suits of men (agbada, buba and sokoto) and women (iro and buba). Cloths and clothing come in different forms and shades and are indices of individual and/or corporate cultural identity. The ideas here involve styles for women, men, couples, families, gatherings and groups. There is a cake making tool which can be used to do this. Today, the … Cloth, one aspect of the material culture of a people, expresses sundry things about them. They are usually kept aside for special occasions such as birthdays, naming ceremonies, funerals and chieftain title ceremonies. Men still use aso oke to make agbada (outer robe), sokoto (trousers) and fila(cap) as formal dress for different occasions some men who may want to appear less formal or a bit casual may use a biy of  aso oke as a scarf round the neck when they do not which to wear the fila in this way they identify with their family or group by weaving the type of aso oke selected for use as aso ebi or aso-egbe  for a particular ceremony. However, the rich tradition of cloth weaving of the Yoruba continues to find a lifeline in a new material that daily challenge the artistic ingenuity of the Yoruba weavers of aso oke. They sometimes also produce and wear a sheet of cloth three yards by two as a wrapper for a covering, which is characteristically “passed under the armpit, and overlapping over the left shoulder” (ibid). The wheel that spins resplendent garmets, It is a madman who uses cotton to clean soiled  buttocks, The cloth weaving centres were concentrated in central and northern Yorubaland in places such as Akoko, Owo, Ekiti, Ondo, Osogbo, Ibadan, Iseyin, Oyo and Ilorin divisions. What distinguishes them from the old types is the use of multiple colours and the introduction of wide warp stripes of yellow and green at intervals as seen in OGF 50.5. this example is thus transformed from the typical solid colour of the old classic alaari. Beside, Owu, the historic Yoruba town in the Igbomina area3, founded by Olowu, one of the seven grandsons of Oduduwa, was a famous cloth –producing center. 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